Saturday 15th November 2014 sees the opening of 'Town and Country', Emily Sutton's major solo exhibition at Yorkshire Sculpture Park.
The exhibition will feature a wide range of one-off watercolours, limited edition prints and a flock of hand painted and embroidered birds.
Based in York, Emily has worked with many distinguished clients around the world, illustrating books for the Victoria & Albert Museum, Faber and Faber, Random House, Penguin and Walker Books and undertaking commissions for brands such as Hermes, Fortnum & Mason and Betty’s of Harrogate.
We're delighted to include Emily's designs within the St Jude's range of fabrics - her Curiosity Shop fabric won the 'Best British Pattern' category in the Elle Decoration British Design Awards in 2011.
'Town and Country' coincides with the publication of Transferware Treasures, a limited edition hand-bound foldout book of the artist’s watercolours of Victorian transferware, published by Fleece Press.
Find out more about the exhibition in the short film below and via the Yorkshire Sculpture Park website. The exhibition runs until 22nd February 2015.
Just published by Merrell is Jonny Hannah's wonderful 'Greetings from Darktown - An Illustrator's Miscellany', the first book devoted to the work of this popular illustrator, printmaker and painter.
Born and bred in Scotland, Jonny Hannah now lives by the sea in Southampton, but he also resides in Darktown – a mysterious coastal town, not found on any map, peopled by pin-up girls, jazz artists and tattooed sailors. Darktown is home to the Unquiet Grave junk emporium; the Mermaid Café, where folk legend Woody Guthrie still plays each week; McVouty’s vintage clothes shop; and a pier with a condemned helter skelter. Joining Hannah on his trip to downtown Darktown are the writers Philip Hoare and Peter Chrisp, who explore the eclectic influences on Hannah’s work, and Sheena Calvert, who introduces a special typographic catalogue of hand-drawn lettering. As he tours Darktown, Hannah presents his prints and paintings in thematic chapters reflecting his passions, and bids farewell to his alter ego, Rocket Man, who inhabits the darkest corners of pop culture.
In April 2015 we'll be hosting an exhibition of Jonny's work in Edinburgh which will incorporate prints, paintings, music and spoken word. Sign up for our gallery newsletter for details.
And later in 2014 we'll be launching Jonny's first wallpaper for St Jude's, the follow up to his fabric The Captain's Pattern.
We had worked with the photographer Cristian Barnett before and he offered he making of a short film in return for a donation to the Movember fundraising programme (supporting the work of this global men’s health charity).
From 4th-14th July 2014 Ed Kluz is exhibiting a series of new works with our friends at Pentreath & Hall, shown alongside a selection of original works and prints by Eric Ravilious and Edward Bawden.
Ed is fascinated by the objects of our cultural heritage. He seeks out the eccentric, the lost and the overlooked. Follies, curiosities, vanished buildings and folklore inspire artworks which explore themes of renewal and reinvention.
Amongst the new works being exhibited are (from top to bottom below) The Rushton Triangular Lodge (scraperboard - £975), Blickling Hall (linocut - unframed £225 - edition of 18), King Henry's Hunting Lodge, Dogmersfield Park, Hampshire (scraperboard - £875), Kew Palace (scraperboard - £745).
From 4th to 14th July at Pentreath & Hall, 17 Rugby Street, Bloomsbury, London WC1N 3QT. Telephone 020 7430 2526. Open 11am–6pm Mon–Sat.
Our friends Jennings Fine Art are hosting an exhibition of British Art produced between 1914 and 1939 at The Art Workers Guild in Bloomsbury from Monday 16th until Saturday 21st June 2014.
The exhibition features work by a number of artists including Eric Ravilious, A S Hartrick, Paul Nash and William Larkins.
The exhibition also features a newly editioned linocut print by Marthe Armitage, commissioned for the exhibition. 'Tiger Moth' was originally cut as a wallpaper repeat but is available from the exhibition in an edition of 25 copies.
Aftermath - British Art 1914-1939 runs from Monday 16th June to Saturday 21st June 2014 at The Art Workers Guild, 6 Queen Square, London WC1N 3AT. Open 10am until 4pm.
Further details are available from email@example.com
William Larkins - Work or Roadmen - etching, 1925
Paul Nash - The Sluice - lithograph, 1920
A.S. Hartrick - On Munitions: Dangerous Work (Packing TNT) - lithograph, 1917
Marthe Armitage - Tiger Moth - linocut, 2014
Yesterday we visited the Open Eye Gallery in Edinburgh to see Paul Furneaux's exhibition Inside:Out.
The show illustrates Furneaux’s developments from 2D print works to 3D wall mounted sculptural objects incorporating print. He uses traditional Japanese woodcut techniques to explore landscape and interior space using a simplified language of abstraction, distillation and contemplation.
Furneaux received a Masters in Japanese woodblock printing and was recently invited to the Mokuhanga Innovative Laboratory at the foot of Mount Fuji with five International artists to deepen his knowledge of this medium. He also explores combining the mokuhanga technique with etching.
In addition to creating and exhibiting his work, Paul also runs occasional courses in the Japanese water-based woodblock printing technique at Edinburgh Printmakers.
Inside:Out runs at Open Eye Gallery until 2nd April 2014. Find out more
Here's some news from our friends at Caught By The River about their forthcoming book by Neil Sentance, illustrated by printmaker Jonathan Gibbs...
"We’re pretty bloody delighted to be able to announce that we’re publishing Neil Sentance’s Water and Sky: Voices from the Riverside, our first original title in May. After a couple of fantastic compendiums (Words on Water and On Nature), this book is an original by a longtime Caught by the River contributor; and that’s being published in association with the ever-brilliant Little Toller. Lauded by Robert Macfarlane as ‘a marvellous and haunting sequence’, the book revisits Neil’s native Lincolnshire riverlands and fields, farms and market towns, to explore the history of his family and the landscape which shaped them. It’s not a lament for a lost world. It’s a story peopled by characters forgotten by history, celebrating the countryside with a rare combination of lyricism and muddy realism."
You can see Jonathan Gibbs' wood engravings over at our online gallery. And here's his screen printed fabric for St Jude's, Herring Moon.