Posted on September 23, 2016 by Simon Lewin
Opening in Edinburgh on the 5th of October is Collage, Pigeons and Platters, Mark Hearld’s first solo exhibition of new work following his critically acclaimed curated exhibition The Lumber Room: Unimagined Treasures which opened the recently refurbished York Art Gallery in 2015.
The exhibition continues to explore his love of the British countryside, a recent trip to Shetland and Orkney and his continuing curiosity for objects with a magpie approach to collecting in this new collection of collages, limited edition prints and hand-painted ceramics.
Talking of his collages, Mark explains…
“Collage as an approach is at the core of my work. It enables me to pull together a whole range of surfaces and textures to dynamic effect. It is inherently abstract; each bird silhouette is also a cut out piece of paper and the paper profile is very important to the overall effect.”
Visitors to the exhibition will also have the chance to see a selection of Mark’s fabrics and wallpapers for St Jude’s.
The digital catalogue for the exhibition can be viewed online now.
Collage, Pigeons and Platters runs from 5th-29th October 2016 at The Scottish Gallery, 16 Dundas Street. Edinburgh EH3 6HZ.
We're currently working on a Random Spectacular journal dedicated to Mark's The Lumber Room: Unimagined Treasures exhibition in York. To find out more nearer to publication, subscribe to our St Jude's Prints newsletter.
The Shetland Times, 2016, mixed media with collage on paper, 56 x 75 cms
Grey Partridge, mixed media with collage on paper, 40 x 40 cms
Mark Hearld working in the studio
The Shetland Ewe, 2016, mixed media with collage on paper, 56 x 75 cms
Heron, 2016, mixed media with collage on paper, 56 x 75 cms
Flight Platter, hand-painted ceramic, D:38 cms
Posted in Art, Fabric, Outdoors, Painting, People, Printmaking
Posted on September 22, 2016 by Simon Lewin
We're delighted that jeweller Katy Hackney is taking part in our current Editions & Objects exhibition at Yorkshire Sculpture Park which runs until the end of October 2016.
For the exhibition Katy has created a limited edition of ten box wood pendants, each individually decorated and numbered.
Born in Dundee and now based in London, Katy Hackney received a BA at Edinburgh College of Art and a MA at the Royal College of Art, London. Continues below...
Hackney’s practice is driven by the materials she’s excited by. Materials she uses include woods, plastics, precious and non-precious metals, found objects, paint, formica and enamel. Her current influences include vintage toys and folk art.
Her work can be seen in the permanent collections of the London Crafts Council, Montreal Museum of Decorative Arts, Royal Museum of Scotland, Edinburgh, and the Ulster Museum, National Museum of Northern Ireland.
We took the opportunity to find our a little more about Katy's work and current activities...
Can you tell us how to came to designing wearable works of art?
When I left the RCA I set up in business and designed and made more commercial production silver jewellery which sold well but it was tedious work.
Then I discovered cellulose acetate which spectacle frames are made from, began to experiment with it, and my work became larger and more colourful and I became interested in finding other materials to use, such as wood, Formica, other found plastics… colour! Continues below...
You also teach at Central St Martins; how does this impact on the type of work you create?
I don’t notice that it does, something must seeping in?
It does keep me up to date with what is going on the jewellery world as we have a great programme of lectures.
I enjoy passing on knowledge and working with students from all over the world, and working with an amazing team.
What are your major influences?
Everyday things, I often get an idea from something I see in the street on my journey to college or on holiday or trips abroad.
I use my Instagram account as my visual diary, I often go back to it and print out photos of textures, colour combinations, shapes.
Working on lots of other things also feeds in to my work.
I love old toys and objects with a 'story' showing in their wear and tear - doors, tiles, tools and peeling paint.
What is a typical day for you?
My days are fairly varied. As well as teaching I work with knitwear designer Jo Gordon as colour consultant, helping to design her collections each year.
I also work as a picture researcher for costume in film, a job I started a few years ago and love. It definitely informs my work and I am learning something new all of the time.
Most recently I was the costume researcher on Suffragette and I’m working on other projects that are in production.
What is your preferred material of use?
At the moment it's wood.
You use an incredible array of materials, how do you decide which to use in a project?
I have boxes of bits that I gather along the way from all over and I work in a 'collage' sort of way with lots of pieces on my work table. I’ll move these around and arrange, cut then rearrange until I get something I like.
It gets really messy and I have to have a big clear up then I begin all over again! Continues below...
You work as a colour advisor to Jo Gordon Knitwear; how does this impact on your work?
It definitely does as we do research on different ways and I end up looking at textiles which I didn't really before.
The costume research really influences and helps in both jewellery and design work for Jo. I'm currently researching clothing in 1950 to 60s for a job. The colours and patterns of dresses then were amazing. This will all feed into my brain and re-emerge somehow in my jewellery!
What is your favourite colour?
Yellow
What can you see from your studio today?
Usually it my neighbour’s wall!
But today from my balcony in Barcelona I can see a narrow street filled with little balconies covered in colourful washing, a man delivering a cooker and a tiny barking dog having a pee.
What single tool would you consider essential to your work?
My jeweller’s saw and my camera (usually on my phone).
What are you working on now and what is coming up next?
The staff of St. Martins are having a show COUNTERCURRENT in Arthur Beales, Yacht Chandlers in Shaftesbury Avenue. My response to the shop was to collect, borrow and steal Nautical themed jewellery and fill a little cabinet with it, we installed in amongst the shops stock... I'm also researching for a costume project. Teaching will begin in October and so will working with Jo.
Editions & Objects at Yorkshire Sculpture Park continues until Sunday 30th October 2016. Find out more about the exhibition or take a look at all the available works online including Katy Hackney's box wood pendant.
Portrait photography by Jenny Lewis.
Posted on September 15, 2016 by Simon Lewin
Our friend and collaborator Rob St. John (who we've had the pleasure of working with on Random Spectacular projects generated from Rob, Tommy Perman and Simon Kirby's Concrete Antenna sound installation) has just released a new album as part of chamber pop quartet Modern Studies.
Their quietly experimental landscape songs are played on analogue synths, cello, double bass, drums, guitars, a wine-glass orchestra and, at the creaking centre of things, a Victorian pedal harmonium. The band came together in early 2015, when Glasgow songwriter Emily Scott recruited old pals and collaborators Pete Harvey (King Creosote, The Leg), Joe Smillie (boss of Glasgow’s The Glad Cafe) and Rob St. John.
Modern Studies have created a short trailer for the album, shot on a Super 8 camera at Port Eliot festival in Cornwall in July 2016, where the band played for Caught by the River.
We'd definitely recommend that you order a copy of the album (on CD or vinyl) via Song, By Toad Records.
Posted on September 11, 2016 by Simon Lewin
Artist Clive Hicks-Jenkins is currently exhibiting a series of new works at the Martin Tinney Gallery in Cardiff.
Perhaps best know as a painter, Clive has recently been creating a series of limited edition screen prints, working with Dan Bugg of The Penfold Press.
The duo are currently working on a series of prints based on the theme of Gawain and the Green Knight, which was vividly translated for the 21st century by Simon Armitage.
The exhibition features the prints created to date alongside paintings and drawings.
Looking at 'The Green Knight Arrives' author James Russell explains...
"Clive looks beyond the poetry to explore the character and cultural implications of Gawain’s nemesis, in an intense portrait of mingled power and vulnerability. The upper body of the Green Knight fills the frame, his statuesque head and massive arm suggesting the might of an ancient god – but in a sensitive pose reminiscent of Rodin. That flowing beard hints at the graphic gravitas of a playing card king; look again and it is a river flowing through a tattooed forest. Our 21st century Green Knight is a modern primitive, whose identity is etched into his skin."
We were delighted that Clive contributed a series of illustrations to our second Random Spectacular journal and we're currently working on an expanded version of his interpretation of the Hansel & Gretel fairy tale which we will publish in November. Sign up for our Random Spectacular newsletter for details of this.
We'll also exhibit a selection of Clive's prints, in association with The Penfold Press, at our next St Jude's In The City exhibition at the Bankside Gallery in November.
Gawain and The Green Night: Clive Hicks-Jenkins and The Penfold Press continues until 1st October 2016 at Martin Tinney Gallery, 18 St Andrew's Crescent, Cardiff, CF10 3DD. Find out more
'The Green Knight's Head Lives' by Clive Hicks-Jenkins
Gouache and pencil on board, 55cm x 55cm
'The Green Knight Arrives' by Clive Hicks-Jenkins
Screenprint, 55cm x 55cm
Posted in Art, Craft of Print, Events, Painting, People, Writing
Posted on August 05, 2016 by Angie Lewin
My friend Elizabeth Merriman is currently exhibiting a series of new paintings at Salthouse Church on the North Norfolk coast in a show entitled 'The Orchard'.
Simon and I were pleased to show Elizabeth's paintings in the first solo exhibition we hosted at our former North Norfolk gallery ten years or so ago.
Elizabeth Merriman completed her BA (Hons) in Fine Art at Canterbury College of Art and followed this with a post-graduate higher diploma at the Slade School of Fine Art where her work was shortlisted for the Barclays Young Painter award. Her work has featured in several London galleries with work now in a number of private and corporate collections including Unilever’s.
Now living and working in East Anglia, Elizabeth’s work has also been shown at galleries in Norfolk, Suffolk and Yorkshire.
Elizabeth develops her ideas through a number of techniques, progressing from pencil to the creation of works in oil.
'The Orchard' is open until Sunday 7th August at Salthouse Church (from 11am until 5.30pm). If you'd like to know more about the paintings, please e-mail Simon via info@stjudes.co.uk
We're hoping to exhibit Elizabeth's paintings in an exhibition in Edinburgh in 2017 - sign up for the St Jude's newsletter to find out more.
Posted on August 04, 2016 by Simon Lewin
As part of our Editions & Objects exhibition at Yorkshire Sculpture Park we have included a selection of original works by artists Mark Hearld and Emily Sutton which we're pleased to share below.
If you'd like to discuss the purchase of any of these framed originals, please contact Yorkshire Sculpture Park by telephone on 01924 832631.
Mark Hearld 'Swan Flight' original collage
Paper size: 75 x 56cm Framed size: 92 x 72cm £950.00 (see photographs below for framing style)
Emily Sutton 'Comptoir de la Gastronomie, Paris' original ink and watercolour
Paper size: 48 x 38cm Framed size: 65 x 56cm £725.00
Mark Hearld 'Hooded Crow, Hadrian's Villa' original collage
Paper size: 75 x 56cm Framed size: 92 x 72cm £950.00 (photographed here in situ at YSP)
Mark Hearld 'Le Meridiana Wild Boar' original collage
Paper size: 75 x 56cm Framed size: 92 x 72cm £950.00 (photographed here in situ at YSP)
Emily Sutton 'La Chapellerie, Paris' original watercolour
Paper size: 48 x 38cm Framed size: 65 x 56cm £725.00
Posted on July 28, 2016 by Simon Lewin
Further to our post about Mark Hearld's now sold out slipcast pigeons for our Editions & Objects exhibition at Yorkshire Sculpture Park, we're pleased to share details of the platters Mark has also produced.
The 38cm diameter platters are individually decorated using cobalt manganese and copper stains, each one slipcast in Stoke-On-Trent and inspired by mid-20th Century English Delft ceramics. Priced at £395.00 each, the platters are available from Yorkshire Sculpture Park - further details via their website or by telephoning 01924 832631.
Mark Hearld slipcast platter - Cockerel One
Mark Hearld slipcast platter - Cockerel One (reverse)
Mark Hearld slipcast platter - Crow
Mark Hearld slipcast platter - Crow (reverse)
Mark Hearld slipcast platter - Owl One
Mark Hearld slipcast platter - Owl One (reverse)
Mark Hearld slipcast platter - Doe
Mark Hearld slipcast platter - Doe (reverse)
Mark Hearld slipcast platter - Hoopoe One
Mark Hearld slipcast platter - Hoopoe One (reverse)
Mark Hearld slipcast platter - Song Thrush
Mark Hearld slipcast platter - Song Thrush (reverse)
Mark Hearld slipcast platter - Owl Two
Mark Hearld slipcast platter - Owl Two (reverse)
Mark Hearld slipcast platter - Hoopoe Two
Mark Hearld slipcast platter - Hoopoe Two (reverse)
Many thanks to Jonty Wilde for photographing these slipcast platters.
Founded by Simon and Angie Lewin in 2005, our online gallery presents a selection of limited edition original prints – available for purchase.
We showcase the very best in British printmaking with limited edition prints from artists including Angie Lewin, Mark Hearld, Jonny Hannah, Christopher Brown and many more.
Here you’ll find a growing selection of our art prints for sale – all are available for immediate purchase online.
You might also like to find us on Instagram and Facebook.
Keep up to date with events here at St. Jude’s by e-mail and claim your £10 welcome voucher (redeemable against any order of £150 and over). Subscribe to our newsletter >